Conflicts and Ethics — Appeal Over Unwaivable Conflict in Criminal Matter, Ethics Opinion Regarding Judicial Allegations and Recusals


Tucker v. United States — No Per Se Conflict from Counsel’s Unrelated SDNY Investigation; Conflict-Free Co-Counsel Suffices for Curcio Advice” —

  • “In Tucker v. United States (2d Cir. Apr. 1, 2026) (summary order), the Second Circuit affirmed the Southern District of New York’s denial of (i) Scott Tucker’s motion to vacate his conviction under 28 U.S.C. § 2255 and (ii) his motion for compassionate release under 18 U.S.C. § 3582(c)(1)(A). Tucker is serving a 200-month sentence following a jury trial conviction for offenses including racketeering, fraud, and money laundering.”
  • “The appeal focused on two distinct questions:
    • Conflict-of-interest / Sixth Amendment: Whether Tucker’s court-appointed trial counsel, Lee Ginsberg, labored under an unwaivable per se conflict because, mid-trial, Ginsberg met with prosecutors from the same U.S. Attorney’s Office prosecuting Tucker and disclosed facts showing potential, unrelated criminal exposure. A related procedural claim asserted that the district court failed to provide “independent” counsel for the Curcio conflict-waiver inquiry.
    • Compassionate release: Whether the district court abused its discretion in denying a sentence reduction based on Tucker’s confinement conditions, rehabilitation, and need to care for his ill mother.”
  • “Important procedural limitation: The Second Circuit emphasized that, due to the certificate of appealability, it had jurisdiction to consider only the narrow § 2255 question: whether an unwaivable conflict existed (not whether any waiver was knowing/voluntary).”
  • “Note: This decision was issued as a summary order, which the court states has no precedential effect, though it is citable under Fed. R. App. P. 32.1 and Local Rule 32.1.1.”
  • “The Second Circuit affirmed on both issues:
    • No unwaivable per se conflict: The court declined to expand the Second Circuit’s narrow per se conflict doctrine. Because Ginsberg was neither unlicensed nor implicated in Tucker’s charged crimes, and because the alleged exposure was unrelated, the asserted conflict did not qualify as per se or analogous-to-per-se.
    • Curcio counsel claim rejected: Tucker was advised by conflict-free co-counsel James Roth, who was already counsel of record and familiar with the case; the court found no requirement that the district court appoint a brand-new lawyer unfamiliar with the matter to conduct the Curcio inquiry when conflict-free counsel is already in place.
    • No abuse of discretion on compassionate release: The district court permissibly denied relief based on the 18 U.S.C. § 3553(a) factors, citing Tucker’s long fraud history, recidivism, defiance of regulators/courts, and lack of acceptance of responsibility.”
  • “A. Why the conflict was not ‘per se’ or unwaivable.” Tucker’s core theory was structural: once the same prosecuting office is simultaneously investigating defense counsel, counsel may ‘curry favor’ with the government, thereby compromising loyalty. The Second Circuit did not dispute that such incentives can exist; instead it treated the question as doctrinal—whether those incentives fit within the Second Circuit’s narrow per se category or its ‘analogous’ unwaivable category.”
  • “The panel also rejected the attempt to repackage the facts as an unwaivable ‘analog’ to a per se conflict under United States v. Perez. The asserted conflict lacked the kind of extreme breadth and depth that would make the representation irrational for any defendant as a matter of law.”

New York State: “Judicial Ethics Opinion 25-156” —

  • Digest: On these facts, a judge need not disqualify from a proceeding merely because counsel for a party makes many accusations against the judge, provided the judge concludes he/she can remain impartial.”
  • Rules: Judiciary Law § 14; 22 NYCRR 100.2; 100.2(A); 100.3(E)(1); 100.3(E)(1)(a)-(f); Opinions 23-70; 94-46; People v. Moreno, 70 NY2d 403 (1987).”
  • Opinion: The inquiring judge received a letter from counsel in a matter asking the judge to recuse for a long list of reasons. Several reasons appear to involve primarily legal questions, such as the propriety of the judge’s closure of the courtroom, the correctness of the judge’s discovery orders, the judge’s willingness to excuse party appearances, and whether or not a pending federal case may be relevant to the matter. Other reasons appear to involve incorrect factual assumptions.”
  • For example, a purported ‘stranger’ in the closed courtroom was in fact the judge’s law clerk, and the judge flatly denies counsel’s claims that the judge has prejudged certain issues in the case or has a disqualifying personal relationship with a witness or disqualifying extra-judicial knowledge of certain property. Counsel also claims that the judge’s impartiality can be questioned because a party in the case is up for election against the judge’s spouse’s former campaign opponent. The judge believes he/she can remain fair and impartial, but asks if he/she must nonetheless disqualify under the circumstances.”
  • “A judge must avoid even the appearance of impropriety (see 22 NYCRR 100.2) and must act in a manner that promotes public confidence in the judge’s integrity and impartiality (see 22 NYCRR 100.2[A]). A judge must disqualify where specifically mandated (see 22 NYCRR 100.3[E][1][a]-[f]; Judiciary Law § 14) and in other proceedings where the judge’s impartiality ‘might reasonably be questioned’ (22 NYCRR 100.3[E][1]). Where objective standards do not mandate disqualification, however, a trial judge is the sole arbiter of recusal (see People v. Moreno, 70 NY2d 403, 405 [1987]).”
  • “We can only advise ‘whether the facts as presented by the judge require the judge to disqualify from the case going forward’ (Opinion 23-70). None of the specific objective disqualifying standards found in 22 NYCRR 100.3(E)(1)(a)-(f) appear to be implicated here on the facts presented. We have advised that a judge need not recuse from a proceeding ‘merely because an attorney participating therein accuses the judge of misconduct in a letter addressed to the judge, the Administrative Judge, opposing counsel, and the Commission on Judicial Conduct,’ provided the judge concludes he/she can be fair and impartial (Opinion 94-46). Nor can we see any other grounds on which this judge’s impartiality ‘might reasonably be questioned’ (22 NYCRR 100.3[E][1] [emphasis added]).”
  • “Where, as here, objective standards do not mandate disqualification, a trial judge is the sole arbiter of recusal (see People v Moreno, 70 NY2d 403, 405 [1987]; Opinion 23-70). Accordingly, we conclude that the inquiring judge need not disqualify from the case, provided the judge concludes he/she can be fair and impartial.”



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Recent Reviews


We’re heading into Oscars weekend, and looking at all the nominees, it’s a stacked card this year. One of the movies I’ve got an eye on is One Battle After Another. Leonardo DiCaprio is the star of Paul Thomas Anderson’s 10th movie. Overall, the film has racked up 13 nominations, including Best Picture, Best Director for Anderson and Best Actor for DiCaprio.

These past weeks, I’ve been inundated with Oscar-themed emails pitching different streaming suggestions tied to the glitzy ceremony. I decided to home in here and discuss one of DiCaprio’s less appreciated movies. It’s a film that was the beginning of what I like to refer to as “DiCaprio’s Schlubby Era.”

This movie features an absolutely stacked cast and delivers its message loud and clear. I rewatched it last night, and I still found it thoroughly entertaining. I’m in the minority, though. You see, the film I’m talking about was a victim of circumstance, as it lifted a mirror to society at a terribly fraught time.

If you haven’t figured it out yet, I’m talking about Netflix’s Don’t Look Up. It was directed by Adam McKay, and while it is absolutely a comedy, the disaster satire hit streaming at the wrong time. If you don’t recall, the film — which was meant as a dire warning about climate change and society’s apathetic response to it — hit the streamer at the height of the pandemic. 

Read more: Oscars Shift to YouTube-Only Streaming Starting in 2029

Production still from Don't Look Up showing Jennifer Lawrence in a hoodie sitting next to Leonardo DiCaprio in glasses and a frumpy suit.

Jennifer Lawrence and Leonardo DiCaprio star in Don’t Look Up.

Niko Tavernise/Netflix

Everyone was stuck inside, looking for light-hearted, feel-good entertainment like Ted Lasso. A movie about a pending catastrophe that would end the world and its entire population was a tough pill to swallow. Perhaps it still is? I’ll circle back to that thought in a bit.

Needless to say, it was sharply panned by critics for its subject matter and tone. Don’t Look Up received four Oscar nominations, and even if you think about the lackluster affair that was the 2022 Academy Awards, it showed there is merit to the polarizing comedy. And I’m going to talk about it.

Don’t Look Up follows scientist Dr. Randall Mindy (DiCaprio) and his PhD student Kate DiBiasky (Jennifer Lawrence) as they try to relay the urgency of their discovery of a giant comet barrelling toward Earth. In roughly six months, an extinction-level event triggered by the comet’s impact will obliterate humanity and the planet.

Mindy and DiBiasky face an unexpected uphill battle, though. Each person in power they speak to, from the news media to the President of the United States, ends up downplaying the warning. Instead of focusing on the well-being of the American people, they end up focusing on how the pending disaster can ultimately benefit them.

Production still from Don't Look Up showing Meryl Streep as the President of the United States.

Meryl Streep stars in Don’t Look Up.

Niko Tavernise/Netflix

In turn, the media and government end up lying to the populace. Sound familiar?

As bleak as this reveal is, the movie carries a sort of gallows humor married to a tongue-in-cheek aesthetic that is both laugh-inducing and cringeworthy. The end is bleak, with no real clear lesson aside from the hammer-to-the-head message to, actually, look up and be present. It’s all still very much relatable nearly half a decade later.

A big reason I find Don’t Look Up more than watchable is the performances of DiCaprio and Lawrence, both stepping outside of their proverbial boxes to play homely underdogs. 

This is the beginning of DiCaprio’s exploration of unkempt characters, in which he has played against glamorous type and shown new levels of range. It’s commendable to see an actor of his stature stretch himself out of his comfort zone — which, in turn, tests the comfort levels of the audiences tuning in.

Production still from Don't Look Up showing Leonardo DiCaprio in a suit and glasses looking panicked in the middle of the street.

Leonardo DiCaprio stars in Don’t Look Up.

Niko Tavernise/Netflix

He would continue this trend in Killers of the Flower Moon and One Battle After Another.

Lawrence is fantastic as his outspoken student, who takes everyone to task, including the president. And then there’s the rest of the excellent cast, which includes (deep breath): Meryl Streep, Cate Blanchett, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Melanie Lynskey and Michael Chiklis. 

I’m not going to get lost in the minutiae of everything going on in today’s world that Don’t Look Up relates to. But it’s worth noting that, while this is a movie about climate change, the story can apply to a whole mess of things, from the war in the Middle East to the rise of AI and the proliferation of misinformation to the masses.

Since the movie premiered on Netflix, other apocalyptic entertainment has come along, like Fallout, Silo, Paradise and the later seasons of The Boys, which have tapped into similar themes with greater success.

You’re going to see a lot of recommendations online pointing you to Leonardo DiCaprio’s biggest movies, with guidance to watch them because of his latest Oscar nomination. I could’ve done that (heck, I nearly did, but The Wolf of Wall Street is no longer on Netflix). 

Instead, it felt like the perfect time to revisit Don’t Look Up. 

This is a movie that doesn’t coddle the audience; instead, it pokes fun at us. We’ve all, at one point, fallen victim to quick dopamine fixes that distract from our day-to-day reality. 

Don’t Look Up is a smack in the face, shouting at us to thwart that behavior and take action, and its dark ending further nails that message home. It may have missed the mark when it was initially released, but this comedy has all the components of a genre classic that gets better with age.

Read more: 44 of the Best Movies on Netflix You Should Stream Now





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