Risk News — Firm Barred From Representing Both Sides of Insurance Matter, Judge Spouse Conflicts Considerations


“[Canadian] Court bars Northbridge’s law firm from acting for and against insured” —

  • “A law firm cannot sue on behalf of an insured and defend against that same insured at the same time, an Alberta court has ruled. In a decision filed March 16, the Court of King’s Bench of Alberta disqualified a law firm from representing Northbridge General Insurance Corporation in three subrogated recovery actions, finding the arrangement posed a genuine risk of compromised representation for the insured.”
  • “The case, Sniper Pressure Services Ltd v Northbridge General Insurance Corporation, 2026 ABKB 193, arose from two roof collapses at a commercial property in Woodlands County, Alberta – the first in March 2020, the second in January 2022. Sniper Pressure Services, which owned the land and building, was insured with Northbridge for both losses. Following the first collapse, Northbridge paid Sniper approximately $2,000,000 and launched subrogated actions against the alleged tortfeasors. Sniper, meanwhile, sued Northbridge for $650,000 it says is still owed under the policy.”
  • “The issue: Northbridge had retained the same law firm to pursue the subrogated claims – filed in Sniper’s name, as is standard in subrogation — and to defend itself against Sniper’s own coverage claims. That meant the same counsel was effectively acting on Sniper’s behalf in one set of proceedings while working against Sniper in another, all arising from the same losses.”
  • “Justice Kelsey L. Becker Brookes found no formal solicitor-client relationship between the firm and Sniper, which meant the ‘bright line’ rule against concurrent representation of adverse clients did not technically apply.”
  • “But the court went further. Applying the ‘substantial risk’ test, the judge concluded the dual role created a real risk. In the subrogated actions, the firm would need to review Sniper’s records, identify privileged documents, and prepare Sniper’s corporate representative for questioning. In the coverage dispute, that same firm would then cross-examine Sniper’s representative, challenge their credibility, and seek admissions harmful to Sniper. The court found Sniper had been placed in an ‘untenable position’ — forced to either hand over confidential information to a firm actively opposing it, or hold back and fail to cooperate as required.”
  • “‘Northbridge faces no risk; in fact, they benefit from it,’ the judge wrote. ‘The party at a disadvantage is Sniper.’”
  • “The court noted the firm had accepted the dual retainer in good faith, relying on advice from a practice advisor. Still, the judge ordered the firm removed from all three subrogated actions, finding the litigation was early enough that Northbridge would not be significantly prejudiced by retaining replacement counsel.”

New York: “Judicial Ethics Opinion 25-151” —

  • “Digest: On these facts, a judge whose spouse works for the employment practice of a local legal services organization must disqualify in criminal matters where a defendant is represented by that organization.”
  • “Rules: 22 NYCRR 100.2; 100.2(A); 100.3(E)(1); 100.3(E)(1)(c); 100.3(E)(1)(e); 100.3(F); Opinions 25-167; 24-191; 22-23; 21-22(A); 97-82.”
  • “Opinion: The inquiring judge presides exclusively in criminal matters, but does ‘not have a permanently assigned part with a docket of cases that are permanently assigned’ to him/her. Instead, the judge presides in calendar parts ‘on a rotating basis’ and handles whichever cases are currently in a given part while he/she is assigned there. The judge’s spouse has been hired as a staff attorney within the employment practice of a legal services organization that represents many defendants in the judge’s court. The employment attorneys primarily ‘represent[] clients in employment-related civil matters’ and do not make appearances in criminal cases. However, a ‘small percentage’ of their work involves advising criminal defense clients about the potential employment consequences of a plea offer. This process is initiated by a request from the criminal defense lawyer to their employment practice colleagues. Thereafter, as explained by the judge:”
  • “‘The employment attorney may communicate [the requested] information to the client’s criminal defense attorney, or directly to the client, or to the assigned prosecutor. Either way, the employment attorney’s role is limited to providing non-criminal information about the potential civil consequences of the plea. The employment attorney does not perform any substantive legal work related to the client’s criminal case and does not advise the client about whether he/she should take the plea offer. These matters remain the province of the criminal defense attorney exclusively.’”
  • “Finally, from a statistical perspective, the judge concludes that employment consequences are infrequently relevant to criminal cases in his/her court. The judge further notes that only a miniscule percentage of the organization’s criminal cases involve the employment practice, and the judge’s spouse ‘would be involved in only a tiny fraction of that already small number of cases.’ The judge emphasizes that he/she ‘would have no reason to know’ whether or not his/her spouse ‘had provided collateral-consequences information in any particular case’ during any particular calendar appearance.”
  • “A judge must always avoid even the appearance of impropriety (see 22 NYCRR 100.2) and must act in a manner that promotes public confidence in the judiciary’s integrity and impartiality (see 22 NYCRR 100.2[A]). A judge is disqualified when his/her impartiality ‘might reasonably be questioned’ (22 NYCRR 100.3[E][1]), including where the judge knows that his/her spouse is acting as a lawyer in the proceeding (see 22 NYCRR 100.3[E][1][e]) or has an economic interest or ‘any other interest that could be substantially affected by the proceeding’ (22 NYCRR 100.3[E][1][c]).”
  • “We have said that recusal is required if a judge’s attorney spouse has any involvement whatsoever in the case before the judge, even indirectly due to a supervisory role (see e.g. Opinions 25-167; 24-191; 22-23; 97-82).”
  • “Still, we do not ordinarily require a judge to disqualify in all matters involving a legal services provider, merely because the judge’s spouse or first-degree relative is a staff attorney there. The usual rule is that ‘neither disclosure nor disqualification is mandated in matters involving other attorneys from the same not-for-profit legal services provider that employs the judge’s first-degree relative as an entry-level staff attorney, where the judge is satisfied his/her relative has had, and is likely to have, absolutely no involvement with the case. Thus, where the judge’s relative is employed in a division or unit that has absolutely no involvement in the kinds of matters that come before the judge’s court, the judge may preside in matters involving other attorneys from other units of the same legal services provider’ (Opinion 22-23 [citations omitted]).”
  • “Due to the unusual intersection of three interrelated factors, however, we conclude the inquiring judge must disqualify whenever attorneys appear from the criminal defense practice of the legal services organization that employs the judge’s spouse. First, the employment practice is not a specialized or distinct unit that can reasonably be seen as walled off from involvement in the kinds of criminal matters that come before the judge. Nor has the legal services organization proposed to insulate the judge’s spouse from cases in the judge’s court. To the contrary, the employment practice (and also the judge’s spouse) will clearly be involved in some criminal cases, and the judge ‘would have no reason to know’ which ones. Second, employment consequences may become relevant in a criminal case at any stage of the proceedings, depending on what pleas are being negotiated, offered, or considered. Third, unlike the organization’s criminal defense lawyers, whose participation in a criminal case may be clear to everyone, including the public, from the papers or court appearances or an organizational chart, an employment attorney’s involvement in a criminal case is both unpredictable and undisclosed.”
  • “The practical effect of this complex combination of factors is that each time a defendant represented by this legal services organization comes before the judge, it is an open question whether the judge’s spouse may have provided advice about employment consequences ‘to the criminal defense attorney, or directly to the client, or to the assigned prosecutor.’ At any point in the lifetime of the criminal case, employment consequences could become relevant. It seems that the judge will not know whether, in a particular case, his/her spouse has in fact provided advice on possible employment consequences; but the judge certainly knows that his/her spouse’s job responsibilities have not been limited to avoid that possibility. Requiring disqualification ‘only’ after the judge actually learns that his/her spouse was consulted does not change that underlying dynamic and would, in our view, offer too much opportunity for strategic disqualification.”



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Recent Reviews


We’re heading into Oscars weekend, and looking at all the nominees, it’s a stacked card this year. One of the movies I’ve got an eye on is One Battle After Another. Leonardo DiCaprio is the star of Paul Thomas Anderson’s 10th movie. Overall, the film has racked up 13 nominations, including Best Picture, Best Director for Anderson and Best Actor for DiCaprio.

These past weeks, I’ve been inundated with Oscar-themed emails pitching different streaming suggestions tied to the glitzy ceremony. I decided to home in here and discuss one of DiCaprio’s less appreciated movies. It’s a film that was the beginning of what I like to refer to as “DiCaprio’s Schlubby Era.”

This movie features an absolutely stacked cast and delivers its message loud and clear. I rewatched it last night, and I still found it thoroughly entertaining. I’m in the minority, though. You see, the film I’m talking about was a victim of circumstance, as it lifted a mirror to society at a terribly fraught time.

If you haven’t figured it out yet, I’m talking about Netflix’s Don’t Look Up. It was directed by Adam McKay, and while it is absolutely a comedy, the disaster satire hit streaming at the wrong time. If you don’t recall, the film — which was meant as a dire warning about climate change and society’s apathetic response to it — hit the streamer at the height of the pandemic. 

Read more: Oscars Shift to YouTube-Only Streaming Starting in 2029

Production still from Don't Look Up showing Jennifer Lawrence in a hoodie sitting next to Leonardo DiCaprio in glasses and a frumpy suit.

Jennifer Lawrence and Leonardo DiCaprio star in Don’t Look Up.

Niko Tavernise/Netflix

Everyone was stuck inside, looking for light-hearted, feel-good entertainment like Ted Lasso. A movie about a pending catastrophe that would end the world and its entire population was a tough pill to swallow. Perhaps it still is? I’ll circle back to that thought in a bit.

Needless to say, it was sharply panned by critics for its subject matter and tone. Don’t Look Up received four Oscar nominations, and even if you think about the lackluster affair that was the 2022 Academy Awards, it showed there is merit to the polarizing comedy. And I’m going to talk about it.

Don’t Look Up follows scientist Dr. Randall Mindy (DiCaprio) and his PhD student Kate DiBiasky (Jennifer Lawrence) as they try to relay the urgency of their discovery of a giant comet barrelling toward Earth. In roughly six months, an extinction-level event triggered by the comet’s impact will obliterate humanity and the planet.

Mindy and DiBiasky face an unexpected uphill battle, though. Each person in power they speak to, from the news media to the President of the United States, ends up downplaying the warning. Instead of focusing on the well-being of the American people, they end up focusing on how the pending disaster can ultimately benefit them.

Production still from Don't Look Up showing Meryl Streep as the President of the United States.

Meryl Streep stars in Don’t Look Up.

Niko Tavernise/Netflix

In turn, the media and government end up lying to the populace. Sound familiar?

As bleak as this reveal is, the movie carries a sort of gallows humor married to a tongue-in-cheek aesthetic that is both laugh-inducing and cringeworthy. The end is bleak, with no real clear lesson aside from the hammer-to-the-head message to, actually, look up and be present. It’s all still very much relatable nearly half a decade later.

A big reason I find Don’t Look Up more than watchable is the performances of DiCaprio and Lawrence, both stepping outside of their proverbial boxes to play homely underdogs. 

This is the beginning of DiCaprio’s exploration of unkempt characters, in which he has played against glamorous type and shown new levels of range. It’s commendable to see an actor of his stature stretch himself out of his comfort zone — which, in turn, tests the comfort levels of the audiences tuning in.

Production still from Don't Look Up showing Leonardo DiCaprio in a suit and glasses looking panicked in the middle of the street.

Leonardo DiCaprio stars in Don’t Look Up.

Niko Tavernise/Netflix

He would continue this trend in Killers of the Flower Moon and One Battle After Another.

Lawrence is fantastic as his outspoken student, who takes everyone to task, including the president. And then there’s the rest of the excellent cast, which includes (deep breath): Meryl Streep, Cate Blanchett, Jonah Hill, Mark Rylance, Tyler Perry, Timothée Chalamet, Ron Perlman, Ariana Grande, Melanie Lynskey and Michael Chiklis. 

I’m not going to get lost in the minutiae of everything going on in today’s world that Don’t Look Up relates to. But it’s worth noting that, while this is a movie about climate change, the story can apply to a whole mess of things, from the war in the Middle East to the rise of AI and the proliferation of misinformation to the masses.

Since the movie premiered on Netflix, other apocalyptic entertainment has come along, like Fallout, Silo, Paradise and the later seasons of The Boys, which have tapped into similar themes with greater success.

You’re going to see a lot of recommendations online pointing you to Leonardo DiCaprio’s biggest movies, with guidance to watch them because of his latest Oscar nomination. I could’ve done that (heck, I nearly did, but The Wolf of Wall Street is no longer on Netflix). 

Instead, it felt like the perfect time to revisit Don’t Look Up. 

This is a movie that doesn’t coddle the audience; instead, it pokes fun at us. We’ve all, at one point, fallen victim to quick dopamine fixes that distract from our day-to-day reality. 

Don’t Look Up is a smack in the face, shouting at us to thwart that behavior and take action, and its dark ending further nails that message home. It may have missed the mark when it was initially released, but this comedy has all the components of a genre classic that gets better with age.

Read more: 44 of the Best Movies on Netflix You Should Stream Now





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