Theo James Says Rise of Manosphere & Incel Movement Stems from ‘Deep-Seated Insecurity’ & ‘Meaningless Bravado’ | Theo James | Celebrity News and Gossip | Entertainment, Photos and Videos


Theo James shares his fears over raising a son amid the rise of incel culture and the manosphere.

“It’s terrifying having a son, because people get lured into this idea very easily,” he said on the Wednesday (April 8) episode of John Smith’s Great Chat Show.

He and his wife Ruth Kearney share two children, a son and daughter.

Theo continued, “You don’t have to be, as people like to say, ‘hyperwoke,’ but it’s about a base level of empathy and some semblance of morality and, I think, now, that isn’t cool, is it? It’s not cool to talk about those things.”

Keep reading to find out more…

The Gentlemen star noted that at the end of the day, there’s a “deep emptiness” for people who throw themselves into “empty commercialism” and “toxicity.”

He later notes that the “toxic masculinity” seems to stem from an “unclear identity.”

“It’s a lot about deepseated insecurity ultimately. Men who feel that they need to be performative or misogynistic,” The Divergent alum said. “It’s about, you know, them not feeling good enough essentially, but it’s hidden with with kind of meaningless bravado, right? Then on top of that is what we’ve reached at the moment, is cataclysmic capitalism where you have everyone now is rewarded by wealth…”

“They feel untethered, reduced. I think the misogyny comes from lots of strong, successful women around them,” Theo explained. “They don’t know how to deal with that. They’re confused by who they are or who they should be. So, it’s the easiest thing to do to latch on to something.”

And he lists things like money, “going to the gym a lot,” and “telling people to go f–k themselves.”

“That’s an easy win, and if it gets me money then bingo. But the ramifications of what it does to a generation of men is the trickier part,” Theo added.

Find out who is joining The Gentlemen cast for season 2!





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Chalk up a win for creative artists against AI companies. On Wednesday, the UK government abandoned its previous position on copyrighted works. It’s currently working on a data bill that, if unaltered, would have allowed AI companies like Google and OpenAI to train models on copyrighted materials without consent. Artists and other copyright holders would only have been offered a mere opt-out clause.

After significant backlash, the UK backed off from that position. “We have listened,” Technology Secretary Liz Kendall said on Wednesday. However, the government’s new stance is, well, not a stance at all. It currently “no longer has a preferred option” about how to handle the issue.

Still, backpedaling from its previous position is viewed as a win for artists. UK Music CEO Tom Kiehl described the decision as “a major victory,” while promising to work with the government on the next steps.

WEST HOLLYWOOD, CALIFORNIA - MARCH 15: (Exclusive Coverage) (L-R) Elton John and Dua Lipa attend Elton John AIDS Foundation's 34th Annual Academy Awards Viewing Party on March 15, 2026 in West Hollywood, California. (Photo by Kevin Mazur/Getty Images for Elton John AIDS Foundation)

Elton John and Dua Lipa spoke out against the government’s previous stance. (Photo by Kevin Mazur/Getty Images for Elton John AIDS Foundation) (Kevin Mazur via Getty Images)

Last year, some of Britain’s highest-profile artists objected to the government’s position. Sir Elton John and Dua Lipa were among those speaking out. Even Sir Paul McCartney weighed in, warning that the AI industry could “rip off” artists and lead to a “loss of creativity.”

“You get young guys, girls, coming up, and they write a beautiful song, and they don’t own it, and they don’t have anything to do with it,” McCartney told the BBC in 2025. “And anyone who wants can just rip it off. The truth is, the money’s going somewhere… somebody’s getting paid.”

The government will now weigh its options, taking “the time needed” to balance the wishes of artists and the tech industry. “We will not introduce reforms to copyright law until we are confident that they will meet our objectives for the economy and UK citizens,” it wrote in a report. “This means protecting the UK’s position as a creative powerhouse, while unlocking the extraordinary potential of AI to grow the economy and improve lives.”

“Any reform must ensure that right holders can be fairly rewarded for the economic value their work creates, and that they are protected against unlawful and unfair use of their work. It must also ensure that AI developers can access high-quality content.”



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